The author explains that there is a certain kind of craft that is embodied sympathy.
Sympathy, as a moral sentiment, motivates altruistic acts. A piece of jewelry, or any other art object becomes an extension of the maker, and a vehicle for the maker's sympathy. The maker designs an object to recreate an experience that she/ he found beneficial for herself/ himself. The object then becomes a medium for the gesture of aid and comfort. And that, the author explains, is a kind of craft that is embodied sympathy. Metcalf sees sympathetic craft as an extension of its makers. The necklace, in being worn, actualizes the jeweler's wish to make her customer more beautiful and confident. And this, he explains, is embodiment. I agree with the authors thoughts, and with the observation that craft-as-art is less capable of embodying sympathy because it shuns ordinary use and intimate human contact.
Nearly the whole language for communicating emotion in jewelry is obsolete, almost lost, he argues.
The author tells us how he was struggling to find a piece of jewelry for his wife, that would clearly express love. Almost all the studio jewelry he looked at was not "sentimental jewelry". He says, it was like serious jewelers decided that affection wasn't a worthy subject for art. The author ended up buying one of Pat Flynn's heart pins, "made for marketplace, without high ambitions". This simple pin, he says, did a better job expressing feeling than art.
If the author asked for my help in finding a piece of jewelry that expresses love, I would suggest the LOVE BRACELET by Cartier. I am surprised he didn't come across it in his search, as it is very well known and has been made since 1970s. It is the first piece of jewelry that comes to mind when I think of love.
From Cartier's website: LOVE BRACELETS
This bracelet is a universal symbol of love and commitment. The LOVE collection, created in 1970s New York, has sealed the passionate romances of a host of iconic couples. The LOVE bracelet is a flat bangle studded with screws that locks to the wrist. Opened and fastened with a screwdriver, the piece serves to sanctify inseparable love. This undeniably elegant unisex piece forms the basis of this signature jewelry collection. Bracelet, ring or necklace: how far would you go for love?
A child of 1970s New York, the LOVE collection remains today an iconic symbol of love that transgresses convention. The screw motifs, ideal oval shape and undeniable elegance establish the piece as a timeless tribute to passionate romance.